| 出版: | Venetiis : apud Marcum Antonium Zalterium |
| 附註: | Marca tip. en port. Texto con apostillas marginales. Sign.: [cruz]8, A-Z8, 2A-2H8, 2I4 |
| 出版: | Lugduni : apud Haeredes Caroli Pesnot |
| 附註: | CCBE. S. XVI,A, 1502 Marca tip. en portada. Texto con apostillas marginales. |
| 出版: | Lugduni : apud Carolum Pesnot |
| 附註: | CCBE. S. XVI,A, 1502 Marca tip. en portada. Texto con apostillas marginales. |
| 出版: | Lugduni : apud Carolum Pesnot |
| 附註: | CCBE. S. XVI,A, 1502 Marca tip. en portada. Texto con apostillas marginales. |
| 出版: | Lugduni : apud Carolum Pesnot |
| 附註: | CCBE. S. XVI,A, 1502 Marca tip. en portada. Texto con apostillas marginales. |
| 出版: | Coloniae : In officina Birckmannica |
| 附註: | Includes index. Colophon: "Typis Godefridi Kempensis ..." Printer's device on t.p. Signatures: [dagger]⁸ [2dagger]⁴ ( -[2dagger]4) A-Z⁸ 2A-2N⁸. AdamsO 389 VD 16O 1364 Two leaves (one folded) of ms. notes bound in at front.NjP Ex copy is bound in vellum over stiff boards; all edges sprinkled red.NjP |
| 出版: | Venetiis : apud Franciscum de Franciscis |
| 附註: | Numerous errors in paging Printer's mark on t.-p.; 4th prelim. leaf blank Book-plate: Ex libris Marchionis Salsae |
| 出版: | Olysipone : excudebat Franciscus Correa |
| 附註: | Sign.: œ4, a-r8 |
| 附註: | Origin: Lacks dated colophon ; ownership statement in name of Muḥammad Saʻīd ibn ʻAlī al-Asadī provides a terminus ante quem of 1133 [1720 or 21] ; paper, hand, etc. would suggest mid to late 16th century. Accompanying materials: a. Inventory cataloguing slip in hand of Winifred Smeaton Thomas. -- b. Acquisitions slip from Yahuda. Former shelfmark: From inner front cover and spine label, "IL 180" (likely supplied by Yahuda, see acquisitions slip). Binding: Pasteboards covered in brown leather ; Type II binding (with flap) ; board linings in yellow laid paper ; upper and lower covers carry stamped mandorla (filled with vegetal composition) and pendants (with recessed onlays) as well as tooled floral accents and rule border ; sewning gone, traces of two sewing stations, most bifolia now split ; overall in somewhat poor condition with significant abrasion, staining, lifting and losses of leather, etc. ; serves as wrapper for the gatherings, perhaps never attached to text block though sized fairly well. Support: European laid paper of a few different types ; opening type with 9 laid lines per cm. (vertical), chain lines spaced 28-29 mm. apart (horizontal), anchor (two line) in circle with six-pointed star above watermark (roughly 62 mm. tall, see p.66, 75, etc.), and possibly "AP" countermark (see p.111, etc.), sturdy and well-burnished ; another type with 11 laid lines per cm. (vertical), chain lines spaced 24 mm. apart (horizontal), font with lid and cross (or cardinal's mitre / chapeau) watermark (see p.190, 191, 228, 233, etc. and compare Velkov Chapeau nos.1-8 and Nikolaev nos. 31-32) and "CC" under trefoil countermark (see p.250, etc.) ; final flyleaf with 7 laid lines per cm. (horizontal), chain lines spaced 29 mm. apart (vertical), and three crescents watermark (85 mm. long, perpendicular to chains). Decoration: Keywords and abbreviation symbols rubricated ; textual dividers in the form of inverted commas in red. Script: Naskh ; spacious, elegant and idiosyncratic Turkish or 'Syrian' [?] hand in a narrow line ; virtually serifless and quite rounded with thickening and elongation of many descenders and horizontal strokes, occasional inclination to the right or left, pointing in distinct dots, point of final nūn set deep and nearly fully encircled by bowl, final yāʼ and alif maqṣūrah mainly mardūdah ; hand changes at p.401, also quite elegant, fluid and rounded with bowl of final nūn fully encircling dot. Layout: Written in 19 lines per page ; frame-ruled (impression of ruling board evident). Collation: 24 V(240), VI (252), i ; almost exclusively quinions (though most bifolia now split) ; catchwords present ; foliation in brown ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during digitization. Explicit: "هذا اخر ما تضمنت هذه الارجوزة من علم احكام النحو ولذلك لما انتهى اليه لم يعقبه باكثر من قوله وما بجمعه عنيت قد كمل ... فاعلم انه قد انتهى غرضية من هذا النطم وانه قد اشتمل على اعظم المهمات من علم العربية تم ختم الكتاب بحمد الله تعالى وبالصلاة على نبيه محمد صلى الله عليه وعلى آله واصحابه الطيبين الطاهرين صلاة دائمة الى يوم الدين سبحان ربك رب العزة عما يصفون وسلام على المرسلين والحمد لله رب العالمين" Incipit: "اما بعد حمد الله سبحانه وتعالى بما له من المحامد على ما اسبغ من نعمه البوادي والعوايد ... فاني ذاكر في هذا الكتاب ارجوزة والدي في علم النحو المسماة بالخلاصة بشرح يحل منها المشاكل ويفتح من ابوابها كل مقفل ..." Title from inscription on interior of upper cover. Ms. codex. Nikolaev, Vsevolod. Watermarks of the mediaeval Ottoman documents in Bulgarian libraries. In Watermarks of the Ottoman Empire, volume 1. Sofia: Bulgarian Academy of Sciences, 1954 Velkov, Asparouh. Les Filigranes dans les documents Ottomans: divers types d'images. Sofia: Éditions "Texte - A. Trayanov", 2005 al-Usṭuwānī, Muḥammad Saʻīd. Mashāhid wa-aḥdāth Dimashqīyah fī muntaṣaf al-qarn al-tāsiʻ ʻashar, 1256-1277 H/1840-1861 M. Ed. Asʻad al-Usṭuwānī. [Damascus] : A. al-Usṭuwānī, 1994,pp.49-52 Brockelmann, C. GAL,I 298 / II cmtare 1 ; SI Fine copy of the commentary on the Alfīyah by Ibn Malik (Muḥammad ibn ʻAbd Allāh, d.1273) by his son, Badr al-Dīn Muḥammad ibn Muḥammad (d.1287), on grammar. Acquired in 1926 from the bookseller Isaac Benjamin S.E. Yahuda via purchase transacted on his behalf by Abraham Shalom Yahuda (1877-1951), his younger brother. Arabic. Several former owners' marks on 'title page' (p.1) including ownership statement dated 1133 [1720 or 21] in name of Muḥammad [Saʻīd] ibn ʻAlī al-Asadī, a mudarris in Ḥalab for whom an ijāzah also appears at the close of the text on p.504 (statement reads "ملكه الفقير اليه عز شانه محمد بن علي الاسدي المدرس بحلب المحروسة غفر لهما في سنة ١١٣٣") accompanied by an octagonal ownership statement, a miniscule octagonal seal impression with inscription "الفقير احمد", a lending notice signed Salīm al-Ṭībbī [or al-Ṭayyibī] (سليم الطيبي) indicating that he ha |
| 出版: | Lugduni : apud haeredes Simonis Vincentii |
| 附註: | Marca tip. en port. |
| 附註: | Shelfmark: Ann Arbor, University of Michigan, Special Collections Library, Isl. Ms. 271 Origin: Versified chronogram at end (fol.182b, "اخلاق محسنى") gives dating for completion of composition; this reading, without the preposition "ز", yields the more widely accepted date of 900 H. As appears in colophon on fol.182b, copied by Maḥmūd ibn Najīb. Transcription finished ("tamma al-kitāb bi-ʻawn al-Malik al-Wahhāb taḥrīran fī tārīkh...") 12 Rabīʻ I 922 [ca. 15 April 1516]. Binding: Pasteboard covered in red-brown leather; Type II binding (with flap); upper and lower covers bear gold-stamped central mandorla (Déroche class. NSh1) with pendants and simple gold rule-border; smaller mandorla on envelope flap; doublures in light-blue coated paper embossed with vegetal pattern; in good condition. Support: Persian laid paper; laid lines oriented vertically but too faint to count; chain lines not visible; flyleaves are fashioned from a light-blue coated paper, embossed with a vegetal pattern, that is also used for the doublures. Decoration: Illuminated headpiece on fol.2b; marvelously rendered in two rectangular panels; lower panel contains the basmalah, executed in red nastaʻlīq, in a central cartouche flanked by two, smaller palmette-like lozenges; lower panel is framed by an elaborite golden braid; background is predominantly lapis-lazuli, with vegetal/floral patterns executed in gold, red, pink, green, black, and white; upper panel continues the background motif and color palette; three small, predominantly black, palmette-like lozenges serve as the pivot for the repeating vegetal pattern in this panel, but these are subdued figures and are rather absorbed into the lapis-lazuli background and intriquate vine patterns; upper panel is surmounted by five verticle, decorative stalks; written area framed by a rule-border in dark blue, black, and gold; gold frames set off verses and some chapter titles; text is polychrome, with main text in black, Arabic quotations in dark blue, gold, and occasionally red, and chapter titles in dark blue or gold; the words "شعر" and "بيت" as they occur throughout the text introducing verses of poetry are rendered in red and blue, and occasionally, gold; main text of incipit page decorated with gilt cloudbands. Script: Main text in nastaʻlīq; chapter headings in tawqīʻ; Arabic quotations of Qur'anic verses and Hadith in naskh and vocalized; basmalah in cartouche of illuminated headpiece in nastaʻlīq. Layout: Written in 15 lines per page. Collation: ii, 23 IV (184), i; quaternions; cacthwords present; pagination in pencil, Western numerals, referenced in cataloguing; foliation in red ink, Hindu-Arabic numerals, begins with ١ on fol.3a (Western pagination) and concludes with ١۸۰ on fol.182a; fihrist of chapter titles (fol.6a-7a) corresponds with foliation. Dedication: Composed for Shāh Abū al-Muḥsin (شاه ابو المحسن ), one of the sons of the Tīmūrid pādishāh Ḥusayn Bāyqarā, on the occasion of his coming to court (in Herat) from Marv (see fol.4a-4b, Western pagination). Colophon: "Scribal," triangular, in Arabic, reads: "رب اختم بالخير والحسنى تمت [كذا] الكتاب بعون الملك الوهاب تحريرا في تاريخ اثنى عشر شهر ربيع الاول سنه اثنى عشرين و تسعمايه بخط العبد الحبيب محمود بن نجيب" Explicit: "با خامه گفتم ای كه زهر ساختى قدم وز مقدم تو چشم سخن يافت روشنى اخلاق محسنى بتامى نوشته تاريخ هم نويس ز اخلاق محسنى" Incipit: "حضرت يادشاه على الاطلاق غرت كلمته و جلت عظمته منشور دولت سلطان المرسلين" Title from opening on fol.5a. Ms. codex. Cat. Pers. MSS. Brit. Mus.,p. 443 A work on ethics in 40 chapters, composed by Kāshifī for Shāh Abū al-Muḥsin, a son of Sulṭān Ḥusayn Bāyqarā. Description provided by Derek Mancini-Lander. Purchase ;Acquired by purchase (funds donated by Horace Rackham).1924 Persian and Arabic. Fol.2a bears several marks of possession, including: a circular/oval seal impression with inscription in nastaʻlīq script, "ختم الله بالايمان احمد عبده", a faint oval seal impression with illegible inscription in ornate divani script, another circular seal impression nearly entirely effaced, and a partially pointed ownership statement in Ottoman Turkish, begins: "بو كتاب مبارك ومتين در اصحاب سعاداتدن هر..." ; other statements on fol.2a have been deliberately effaced; codex lacks marks of collation and marginal correction, essentially a clean copy. |
| 附註: | Shelfmark: Ann Arbor, University of Michigan, Special Collections Library, Isl. Ms. 294 Origin: As appears in colophon on fol.353a (p.705), transcription finished in Rabīʻ I "shahr Mawlid al-Nabī" 901 [Nov-Dec 1495]. Binding: Pasteboards covered in fine dark brown leather; Type II binding (with flap) ; doublures in light brown leather ; upper and lower covers feature a large rectangular central field with intricate, repeating geometrical/vegetal pattern, bordered by a relatively narrow frame ; frame contains a series of small panels, in which elements of the central pattern are featured ; pattern continues onto flap ; doublures feature a central medallion with two smaller pendants and corner pieces, all with filigree design over a background of lapis lazuli and outlined in gold paint ; edges of textblock gold-flecked and carry gold-painted vegetal decoration ; sewn in white thread, two stations ; endbands in green and gold ; in very poor condition with lower cover completely detached at spine, front cover and flap both on the verge of detaching, though decoration is in good shape ; evidence of made endpapers in red marbled paper, now removed ; housed in box for protection. Support: non-European (Persian) laid paper with 8 laid lines per cm. (vertical) and no chain lines visible ; lightly burnished ; relatively thin ; in good condition with some repairs and reinforcements. Decoration: Fine illuminated headpieces (ʻunwān/ʻanāwīn) found at the openings of each of the six books of the work (pp.4-5, 116, 214, 350, 458, 576) ; illuminated marginal decoration surrounds the prose dībāchah (pp.2-3) with lapis lazuli frame filled with a repeating, rectilinear vegetal pattern in gold, white, black, turquoise, and red and tīghs executed in blue ; frontispiece at the opening of the first book carries the first verses set apart in a double-page illumination with exquisite decoration matching the style of the dībāchah pages, but more elaborate ; aside from initial folia, written area surrounded by heavy gold frame and outermost blue fillet ; chapter headings often rubricated or chrysographed and set in cloud-bands of pink and yellow (gold?) cross-hatching ; text of dībāchah and colophon chrysographed. Script: Naskh ; headings and text of opening pages (dībāchah) done in tawqīʻ. Layout: Written in 21 lines per page ; incipit and facing page in 18 lines per page ; verses in frontispiece for opening book in 7 lines per page ; written area divided mainly into four columns, except on the initial pages of each book, which feature only a single column. Collation: i, III+2 (8), 9 V(98), IV+1 (107), 24 V(347), IV-2 (353), ii ; chiefly quinions, with one anomalous ternion and two anomalous quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing. Colophon: "Scribal," in Arabic, reads: "تم الکتاب المثنوی المعنوی المولوی بحمد الله و منه في شهر مولود النبی علیه السلام سنه احدي وتسعمایه الهجریه" Explicit: "قصه کوته کن که رفتم در حجاب هین خمش و الله اعلم بالصواب" Incipit: "هذا کتاب المثنوی وهو اصول اصول اصول [كذا] الدین فی کشف اسرار الوصول والیقین ..." Title from opening (p.2). Ms. codex. Cat. Pers. MSS. Brit. Mus.,p. 584b Exquisite copy of Mawlānā Jalāl al-Dīn Rūmī's didactic poetical work in double verses. Description provided by Derek Mancini-Lander. Purchase ;Acquired by purchase (funds donated by Horace Rackham).1924 Persian and Arabic. Possible former inventory marks include inscription in pencil, "181" on front flyleaf ; on p.706, ownership statement in name of Ḥusayn bin Qāsim al-Ṣafavī al-Ḥusaynī with verses (and imprecation) ; possible effaced oval seal impression (totally illegible) on p.705 ; clean copy with virtually no marginal corrections, etc. |
| 附註: | Origin: As appears at close of Risālahʼ-i Sharḥ-i ḥadīs̲, transcription completed [?] 901 [1495 or 6]. Paper, etc. certainly suggest 15th century. Former shelfmark: "438 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on recto of front flyleaf (p.1). Binding: Heavy pasteboards covered in painted lacquerwork, spine in black leather ; Type III binding (without flap, two-piece binding, overlapping flanges visible at spine) ; doublures in fine painted lacquerwork with paintings of a tall narcissus-like plant with leaves in shades of green and flowers and buds in yellow with pink accents at the head of a central stalk, all on a red ground with border in black with gold accents (composition of upper doublure mirrors that of lower doublure) ; upper and lower covers bear paintings of nearly identical floral composition in mirror image to one another on a deep golden-orange or bronze-colored background, namely a central cluster of peonies, poppies, tulips, pansies, etc. with additional buds and floral forms filling the main panel all in shades of pink, light blue, lavender, and white with leaves in various shades of green, and surrounded by decorative band of floral vegetal motifs on a dark red-bronze ground framed in black borders with gold accents ; sewn in dark turquoise thread, two stations ; worked chevron endbands in dark turquoise and red, good condition (protected by leather extending from spine) ; overall in fairly good condition with only minor abrasion and losses to lacquer, etc. ; textblock has certainly been trimmed (some leaves folded to retain marginalia) ; now housed in box for protection. Support: non-European (likely Persian) laid paper with 7 laid lines per cm. (horizontal) and rare single chain lines visible, sturdy, well-sized and burnished, inclusions ; staining and tide-lines ; added leaves at opening and close in European laid paper with 7-8 laid lines per cm. (vertical), chain lines spaced 28-29 mm. apart (horizontal), and watermarks of star (p.2) and crescent (p.4) visible. Decoration: Keywords, some notabilia, etc. rubricated ; overlining in red ; textual dividers in the form of inverted commas in red. Script: Nastaʻlīq (talik) ; elegant hand ; serifless, with marked effect of words descending to baseline, closed counters, and elongated horizontal strokes. Layout: Written in 15 lines per page ; frame-ruled. Collation: II+1 (5), 16 IV(133), IV+1 (142), II (146), 2 IV(162), I (164), i ; almost exclusively quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes added leaves carrying excerpts at opening and close of codex). Incipit: [Sharḥ-i Lamaʻāt] "لو لا لمعات برق نور القديم من نحو حمى جود وحى الحريم ..." Title supplied by cataloguer. Ms. codex. 9. p.322-p.328 : [assorted excerpts (from Jāmī's Lavāʼiḥ, etc.) and former owners' marks, otherwise blank]. 8. p.318-323: Risālahʼ-i Sharḥ-i ḥadīs̲ [?]. 7. p.310-p.318 : [brief treatise opening with verses of Abū Saʻīd ibn Abī al-Khayr (d.1049)"سر رشتهء دولت ای برادر بکف آر وین عمر گرامی بخسارت مگذار"]. 6. p.307-p.309 [assorted excerpts]. 5. p.294-p.306 : [excerpts from glosses on the Mas̲navī of Rūmī]. 4. p.292-p.293 : [assorted excerpts, otherwise blank]. 3. p.14-p.291: Sharḥ-i Lamaʻāt / Jāmī. 2. p.13 : [contents listing for entire volume]. 1. p.6-p.12 : [assorted excerpts (from Jāmī's Lavāʼiḥ, etc.) and notes]. Cat. Pers. Mss. Brit. Mus.,p. 44 Cat. Pers. Mss. Brit. Mus.,p. 594 Fine collection (majmūʻah) of several works including Jāmī's commentary on the Lamaʻāt of Fakhr al-Dīn Ibrāhīm al-ʻIrāqī (d.1289), glosses on the Mas̲navī of Rūmī, and other excerpts. Purchase ;Acquired by purchase (funds donated by Horace Rackham).1924 Persian. Marginal glosses, corrections, and notabilia (side-heads) ; statement on p.309 inscribed by Ibn Ibrāhīm [?] Isḥaq al-Shabastarī ( ابن ابراهيم اسحق الشبسترى ) ; statement accompanying large rectangular seal impression (الواثق بالله الغني عبده الراجى يحيى سنه ١٢۶۱) seemingly dated 1261 [1845 or 6] on p.327 ; statements in Turkish on p.328 dated 22 Shawwāl 1210 [ca. 30 April 1796] and 6 Ramḍān 1212 [ca. 22 February 1798], along with oval seal impression ; another oval seal impression (inscription within"ان الله يحب المحسنين") on back flyleaf ; marginal corrections and notabilia as well as occasional glosses (partially lost to trimming). |
| 出版: | [Damascus etc. : |
| 附註: | Shelfmark: Ann Arbor, University of Michigan, Special Collections Library, Isl. Ms. 454 Origin: As appears in colophon on p.408, original (now opening) section copied by Muḥammad ibn Muḥammad ibn Ḥasan ibn Abī Shāmah al-Ḥanbalī al-Dārānī with transcription completed 21 Dhū al-Ḥijjah 840 [ca. 26 June 1437] in madrasat Shaykh al-Islām Abī ʻUmar in Damascus. As appears in colophon on p.519, transcription of added section completed 29 Ramaḍān 1103 [ca. 14 June 1692]. Accompanying materials: Inventory cataloguing slip in hand of Winifred Smeaton Thomas. Former shelfmark: From front flyleaf and spine label, "IL 344a I" (likely supplied by Yahuda, see acquisitions slip in Isl. Ms. 453). Binding: Pasteboards covered in dark brown leather with red leather repair to spine ; Type III binding (without flap), likely not original to codex (traces of envelope flap suggest original binding was Type II) ; doublures (board linings) in an elegant marbled paper (mainly in pink, dark blue, and lime green) ; upper hinge and repair to lower cover in green textile ; upper and lower covers carry large blind-stamped (with tan leather recessed onlay) mandorla (filled with vegetal composition, compare Déroche class. NA 6) with gold-painted accents and tooled pendants (a cluster of rosette stamps), as well as tooled and gold-painted border ; sewn in pink thread, two stations, many threads broken ; worked chevron endbands in poor condition, significant losses to headband especially with core exposed ; overall in somewhat poor condition with some abrasion and staining, flap lost, etc. ; repairs in red leather (also damaged) ; housed in box for protection. Support: Earlier, original section on non-European laid paper with 8 laid lines per cm. (20 in roughly 25 mm., horizontal), chain lines (four groups of three visible in some bifolia, see pp.132-33 etc.) with 8-11 mm. between chains and 44-46 mm. between groups, dark cream with some inclusions, well-burnished, fairly smooth ; flyleaves, replacement leaves and added section on European laid paper with 7 laid lines per cm. (horizontal), chain lines (vertical) spaced 28 mm. apart, three crescents watermark (see p.414, 96 mm. long, perpendicular to chains, similar to Heawood 866), and "V C" under trefoil countermark (see p.410, 412), creamy, well-burnished, with some staining and tide lines. Decoration: In original section, sūrah headings and Qurʼānic text being commented upon rubricated ; in later addition, sūrah headings and keywords introducing Qurʼānic excerpts rubricated, Qurʼānic text overlined in red Script: Naskh and nastaʻlīq (talik) ; opening original section in naskh, an elegant Syrian hand in a thin to medium line, serifless with mainly closed counters, descenders more rectilinear (though final yāʼ more curvilinear and sweeping), extension of horizontal strokes, bowl of final nūn dramatically sweeping, pointing in distinct dots, kāf occasionally without shaqq ; later added section (and replacement leaves, pp.69-76) in nastaʻlīq (talik), elegant Turkish hand in a medium to bold line, serifless with effect of tilt to the right and of words descending to baseline, mainly closed counters, pointing in strokes rather than distinct dots. Layout: Written in 27 lines per page. Collation: ii, IV+1 (9), 19 V(199), I+1 (202), 5 V(252), IV (260) ; chiefly quinions ; inner bifolia of fourth quire (pp.69-76) on replacement leaves supplied with later addition ; catchwords present ; quire numbering in the form of whole words on the upper outer corner of the recto of the opening leaf of each quire in the earlier section only ; foliation in black ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves and added leaves). Colophon: [original] "وافق الفراغ من نسخه في يوم الثلثاء الحادي والعشرين من شهر ذي حجة الحرام سنة اربعين وثمان مائة على يد الفقير الى رحمة ربه القدير محمد بن محمد بن حسن بن ابي شامه الحنبلي الشهير بالداراني عفا الله عنه وعن والديه وعن من نظر فيه ودعا له ولجميع المسلمين وذلك بمدرسة شيخ الاسلام ابي عمر قدس الله روحه ونور ضريحه" ; [added section] "Scribal," triangular, reads "قد تم الجلد الثاني من تفسير معالم التنزيل للامام البغوي بعون الله عز وجل في اليوم التاسع والعشرين من شهر رمضان لسنة ثلث ومائة بعد الالف الحمد لله رب العالمين ... والحمد لله رب العالمين سنه ۱۱۰۳ ويليه سورة المريم" Explicit: "قال من قرأ من اول سورة الكهف واخرها كانت له نورا من قدمه الى ساقه ومن قرأها كلها كانت له نورا من الارض الى السماء" Incipit: "سورة المائدة مدينة كلها الا قوله اليوم اكملت لكم دينكم ..." Title from 'title page' (p.5). Ms. composite codex. Brockelmann, C. GALI 364 no.4 ; S I 620 Composite manuscript representing the second of four volumes of al-Baghawī's commentary on the Qurʼān, consisting of two sections: an earlier, original section (through p.408) treating Sūrat al-Māʼidah (5) to Sūrat al-Ḥijr (15), and a later addition (p.409-close) treating Sūrat al- |
| 附註: | Origin: As appears in colophon on p.584, transcription of Dīvān-i Khvājah-i Salmān completed 3 Ramaḍān 823 [ca. 11 September 1420]. As appears in colophon in margin on p.221, transcription of Dīvān-i Ḥāfiẓ completed 20 Ramaḍān 823 [ca. 28 September 1420]. Former shelfmark: "97 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "٢٢٧" on tail edge of text block. Binding: Pasteboards faced in fine silk textile (in red with green stripes defining rectangular panels containing floral motifs) with dark red leather over spine, fore edge, and edges / turn-ins (silk faced and leather edged framed binding) ; accompanied by slipcase faced in black coated and textured paper (embosed with scroll / interlace pattern) and edged in dark maroon leather, lined in printed marbled paper and fitted with yellow woven pull cord ; Type II binding (with flap) ; pastedowns and flyleaves in bright red coated and textured paper (embossed with a scroll / interlace pattern virtually identical to that on the slipcase) ; decorative border on leather of upper and lower covers consisting of tooled and gold-painted band in chain pattern and gold and white-painted dome and stroke accents ; fore edge and envelope flaps are similarly decorated ; flap of slipcase carries contents ("اسامى ديوانچها كه در اين مجموعه ديوان سلمان حاشو ديوان حافظ ديوان كمال ديوان عصمت") with the four titles set among vegetal decoration (painted in gold, slate blue and white) ; gold-painted vegetal pattern on edges of text block ; sewn in red thread, two stations ; worked chevron endbands in yellow and pink, in fair condition though tail band is detaching due to damage to primaries ; overall in fairly good condition with pest damage at spine, minor abrasion to fore edge flap, etc. Support: non-European laid paper with 8-9 laid lines per cm. (vertical or horizontal, fairly indistinct) and no chain lines visible, cloudy formation, quite crisp, thin and trasluscent though sturdy, well-burnished ; staining and tidelines. Decoration: Superb double-page illuminated at opening (pp.2-3) consisting of four rectangular pieces carrying verses in gold tawqīʻ and ornamented with delicate floral motifs and a border of lozenges mainly in blue, gold and white above and below the central written area (also bordered in lozenges with delicate vegetal designs in gold) ; further illuminated cartouches carrying headings (in particular at openings of dīvāns of Ḥāfiẓ, Kamāl, and ʻIsmat on pp.2, 222, and 474) appear in the margin ; additional illuminated headpiece (ʻunwān / sarlawḥ) at opening of ghazals on p.380, consisting of rectangular piece with cartouche carrying heading in gold "غزليات مولانا جمال الدين سلمان" surrounded by delicate floral vegetal motifs in shades of blue, pink, white, gold, red, etc. on grounds of blue, black, etc. ; written area, margins and divisions within defined by narrow gold bands outlined by black fillets ; keywords and headings chrysographed ; textual dividers in the form of illuminated rosettes ; illuminated arabesques accent margins. Script: Naskh with elements of nastaʻlīq ; compact hand in a medium line ; virtually serifless and fairly vertical with elongation of horizontal strokes, some sweeping descenders, rāʼ somewhat elongated and slightly reversed, many closed counters, pointing mainly in strokes rather than distinct dots, occasionally kāf is written as vertical stroke with miniature kāf seated above (effect of the whole being resemblance to hamzah seated on alif), interesting form of dāl-rāʼ (در) in which rāʼ is nested in dāl and 'horizontal' stroke of dāl is angled and parallel to stroke of rāʼ ; most headings in an elegant, highly ligatured tawqīʻ. Layout: Varies ; at opening of codex written with mainly 21 lines per page (divided into two columns) in the central written area and as many as 40 lines on the diagonal ; at close of codex written mainly in 14 lines per page ; frame-ruled. Collation: i, IV-1 (7), 6 IV(55), III (61), 29 IV(293), ii ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes back flyleaf and skips two pages between pp.545-546). Colophon: "Scribal," triangular, reads "تم الديوان على يد الفقير الحقير اقل عباد الله المجيب فرصت غريب فى الثالث من رمضان المبارك لسنه ثلاث وعشرين وثمانمائه الهجرية ٨٢٣" Incipit: [Dīvān-i Khvājah-i Salmān] "هر دل که در هوای جمالش مجال یافت عنقای همتش دو جهان زیر بال یافت ..." Title supplied by cataloguer from collation statement at close on p.584 Ms. codex. 4. p.474-p.549 : Dīvān-i Khvājah ʻIsmat / Khvājah ʻNaṣīr al-Dīn ʻIṣmat Samarqandī. 3. p.222-p.473 : Dīvān-i Shaykh Kamāl al-Khujandī / Kamāl Khujandī. 2. p.2-p.221 : Dīvān-i Ḥāfiẓ / Ḥāfiẓ. 1. p.2- p.584 : Dīvān-i Khvājah-i Salmān / Jamāl al-Dīn Salmān Sāvājī. Rypka. History of Iranian lit.,p. 261 Browne, LHP,iii, 260-71 Glünz, M. "Salmān-iSāwad̲j̲ī." In EI2,vol. VIII, p.997, col. 1 Ele |
| 出版: | [Arasbārān? : |
| 附註: | Origin: As appears in colophon on p.359, copied by Niẓām ibn Ḥuwayān [?] al-Bīshkīnī (Pīshkīnī or Bīshgīnī, likely a reference to the Pīshkīnids of Ahar), with transcription completed in Ṣafar 776 [July-August 1374]. Accompanying materials: Two inventory cataloguing slips in hand of Winifred Smeaton Thomas. Former shelfmark: From front flyleaf and spine label, "IL 344a" (likely supplied by Yahuda, see acquisitions slip in Isl. Ms. 453). Binding: Pasteboards covered in brown leather with red leather repairs to spine and fore edge flap ; Type II binding (with flap, now fully detached) ; doublures (board linings) in an elegant marbled paper (mainly in pink, dark blue, and brown) ; upper and lower covers carry large blind-stamped (with tan leather recessed onlay) mandorla (filled with vegetal composition, compare Déroche class. OAi 6) with gold-painted accents and tooled pendants (a cluster of rosette stamps), as well as tooled and gold-painted border ; sewn in pink thread, two stations ; endbands in light blue and light pink, damaged, exposing brown leather of core ; overall in quite poor condition with spine split through (at p.286), lower cover detached, flap fully detached, some abrasion and lifting and losses of leather, etc. ; housed in box for protection ; repairs in red leather (also damaged). Support: non-European laid paper with 6-7 laid lines per cm. (horizontal) and occasional chain lines visible roughly 20 mm. apart (possibly in large group) ; well-burnished and fairly smooth, dark cream in color, fairly crisp, cloudy formation ; back flyleaves in European laid paper with crown above grapes (raisin) watermark. Decoration: Keywords and vocalization rubricated ; Qurʼānic passages being commented upon overlined in red. Script: Naskh ; elegant, compact Persianate hand ; mainly serifless (though rightward serif on shaqq of kāf) with slight effect of tilt to the right, especially long and vertical free-standing alifs, contrasting thickness of horizontal strokes, quite rounded with curvilinear descenders (some sweeping), many closed counters, casual pointing mainly in distinct dots, final nūn quite round with dot set down in. Layout: Written in 24 lines per page. Collation: 7 IV (56), 2 IV-1 (70), 13 IV 174), II+1 (179), ii ; chiefly quaternions ; catchwords present (though often obscured by repairs) ; foliation in black ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during cataloguing (includes flyleaves). Colophon: "Scribal," reads "تمت جلد الثالث من كتاب معالم التنزيل في تفسير القرآن من تصنيف الامام الحافظ محيي السنة ركن الاسلام ابي محمد الحسين بن مسعود الفرا البغوي قدس الله روحه ... بحمد الله وحسن افضاله والصلوة والسلام على محمد ... على يد عبد الضعيف المذنب المحتاج الى رحمة الله تعالى نظام بن حويان البيشكيني غفر الله له ولوالديه في شهر المبارك صفر سنه ست وسبمعين وسبعمائة" Explicit: "وكان الله غفورا رحيما للمؤمنين والمؤمنات والله اعلم بالصواب" Incipit: "كهيعص قرأ ابو عمرو بكسر الهاء وفتح الياء ..." Title from colophon on p.359 Ms. codex. Brockelmann, C. GAL,I 364 no.4 ; S I 620 Third of four volumes of al-Baghawī’s commentary on the Qurʼān, from Sūrat Maryam (19) to Sūrat al-Aḥzāb (33) ; contents listing on opening leaf (p.4). Acquired in 1926 from the bookseller Isaac Benjamin S.E. Yahuda via purchase transacted on his behalf by Abraham Shalom Yahuda (1877-1951), his younger brother. Arabic. Two ownership statements on 'title page' (p.5), reading / study notice in name of Abdullatif b. Mehmet ( عبد اللطيف بن محمد ) reads "مما طالعه الفقير عبد اللطيف بن محمد الشهير برضى [؟] زاده جعل العلم ربه زاده تم" and another in name of Ḥājjī Sulaymān al-ʻUmarī ( حاجي سليمان العمري) reads "في ... الفقير الراجي عفو ربه المتعالي [؟] العمري حاجي سليمان امامب المسجد العمري ... حلب" ; book price on 'title page' (p.5) ; marginal glosses and corrections. |
| 附註: | Origin: As appears in colophon at end of roll, main section copied by Ḥusayn Ibrāhīm ibn Muḥammad al-Ḥusaynī al-Khurāsānī with transcription completed in Dhū al-Ḥijjah 727 [?] [October-November 1327?] ; opening section (and repairs to main section) certainly much later than main section, perhaps 18th or 19th century. Accompanying material: a. Metal case in the form of a cylinder decorated with incised diamond pattern with lid (only slightly convex) ; case retains one ring through which a cord may have passed, a second ring has been lost -- b. Waxy, brown oil cloth now in two pieces which once wrapped roll inside case. Support: Each section in a distinct paper type ; opening section (first 895 mm., roughly 104-107 mm. wide, three pieces of paper) in type with roughly 10-11 laid lines per cm. (parallel with the length of the roll, fairly distinct) and no chain lines or watermarks plainly visible, dense and sturdy, burnished ; bulk of roll (roughly 3530 mm., 110-112 mm. wide, at least six pieces of paper) on a non-European (likely Persian) paper, highly sized and burnished, reinforced with further paper backing and repairs. Decoration: Text of opening section bordered by red double-rule border, table / jadwal with ninety-nine names ruled in red, border texts defined by red rules, openings with depiction of the "seal of prophecy" (مهر نبوت) here "صوره مهر نبوت حضرت رسالت پناهی" ; main section opens with a long cartouche (oriented along the length of the roll) with illuminated heading "اسماء الله تعالى" in thuluth and basmalah in plaited and knotted kufic, a central field filled with floral and vegetal designs executed in micrography, bordering lozenges and alternating circles filled with further micrography (mainly chrysographed, some in blue and black) and Qurʼānic texts in large tawqīʻ approaching thuluth (chrysographed), and further border of rubricated Qurʼānic text in fine riqāʻ ; an even longer cartouche appears next, with illuminated headings for each of several sections ("من اسماء الله تعالى نودونه نام،" "هذا دعاء حرز الاماني،" اسماء الاربعون") which are each in a different layout incorporating the nintey-nine names, Qurʼānic and prayer texts in ghubār, naskh, thuluth, tawqīʻ, etc. in gold, red, black and some blue in a highly symmetrical fashion, with the various elements defined by heavy bands of gold flanked by red double-rules. Script: [opening section] Naskh and tawqīʻ ; [main section] Naskh, thuluth, tawqīʻ, riqāʻ, ghubār, plaited and knotted kufic. Layout: [opening section] central written area in a single column (text written perpendicular to length of the roll) bordered in Qurʼānic and ḥadīth texts along the length of the roll, ninety-nine names arranged in a ruled table / jadwal (five cells wide by twenty cells tall), text following the heading for "the prayer of the bāzūband" ("دعا بازوبند حضرت شاه ولايت پناه") in 26 lines ; [main section] an elaborate arrangement of text consisting of a central narrow panel filled with text first arranged in a series of diagonal arrays (each read across in a zig-zag fashion), next in a series of five circles executed in micrography, and finally in rectangular fields of roughly nine horizontal lines, all interspersed with headings and surrounded by two heavy borders of cartouches, circles and rectangles filled with Qurʼānic and prayer texts in various scripts, closing with dedication and colophon. Dedication: "اللهم وخل بدخلك [؟] دوله الامير الاعدل الاعظم الاعلم الاشجع الاكرم سلطان الامراء في العالم انك دولت همه از دولت اوحي طلبنا والملك العادل ... خلد الله تعالى ملكه ودولته الى يوم الدين" Colophon: "كتبه العبد حسين ابراهيم ابن محمد الحسيني الخراساني في ذي الحجة سنه سبع وعشرين وسبعمائة [؟]" Incipit: "صوره مهر نبوت حضرت رسالت پناهی ..." Title supplied by cataloguer. Ms. roll. [main section] اسماء الله تعالى -- من اسماء الله تعالى نودونه نام -- هذا دعاء حرز الاماني -- اسماء الاربعون [opening section] صوره مهر نبوت حضرت رسالت پناهی -- نودونه نام باری تعالی -- دعا بازوبند حضرت شاه ولایت پناه Coffey, Heather. "Between amulet and devotion: Islamic miniature books in the Lilly Library." In The Islamic manuscript tradition: ten centuries of book arts in Indiana University collections. Ed. Christiane Gruber, (Bloomington: Indiana University Press, 2010):78-115 (esp. pp.93-95 and note 47) Al-Saleh, Yasmine. "Amulets and Talismans from the Islamic World". In Heilbrunn Timeline of Art History. (New York: The Metropolitan Museum of Art, 2000–),November 2010 Savage-Smith, Emilie. "Amulets and related talismanic objects," Science, tools and magic. Nasser D. Khalili Collection of Islamic Art , vol. 12 (London: Nour Foundation, in association with Azimuth Editions and Oxford University Press, 1997):132-147 Turks : a journey of a thousand years, 600-1600. David J. Roxburgh, ed. (London : Royal Academy of Arts, c2005):nos. 290-291, pp.321, 450-4 |
| 出版: | Leningrad : Gidrometeoizdat |
| 附註: | At head of title: Gosudarstvennyĭ komitet SSSR po nauke i tekhnike. Akademii︠a︡ nauk SSSR. Gosudarstvennyĭ komitet po gidrometeorologii i kontroli︠u︡ prirodnoĭ sredy. |